"it took me too long to realize that i don’t take good pictures cuz i have the kind of beauty that moves."
Ani Difranco (via byebyewiththebathwater)
(via theoceanandthesky)
“White Privilege” - Macklemore
I see so many people lost who really try to pretend
But am I just another white boy who has caught on to the trend
When I take a step to the mic is hiphop closer to the end?
‘Cause when I go to shows the majority have white skin
They marketed the windmill, the air flair and head spin
and white rappers albums really get the most spins
the face of hip hop has changed a lot since Eminem
and if he’s taking away black artist profits I look just like him
claim the culture that wasn’t mine, the way the american
hip hop is gentrified and where will all the people live
it’s like the central district, beacon hill to the south end
being pushed farther away because of what white people did, now
where’s my place in a music that’s been taken by my race
cultural appropriated by the white face
and we don’t want to admit that this is existing
so scared to acknowledge the benefits of our white privilege
cause it’s human nature to want to be part of something different
especially when your ancestors are European Christians
and most whites don’t want to acknowledge this is occurring
cause we got the best deal, the music without the burden
of being black in a system that really wants you to rock
cause all you need is a program and you can go and make hiphop
and we hate the mainstream cause we’re the ones that took it
now we listen to Aesop Rock and wear t-shirts that say Brooklyn
but it’s not about black and white right
I mean good music is good music regardless of what you look like
but when you don’t give them props isn’t that selfish
that’s like saying rock was actually started by Elvis
so where does this leave me?
I feel like I pay dues but I’ll always be a white MC
I give everything I have when I write a rhyme
but that doesn’t change the fact that this culture’s not mine
But I’m gonna be me so please be who you are
this is something that’s effortless and shouldn’t be hard
I said I’m gonna be me so please be who you are
but we still owe ‘em 40 acres now we’ve stolen their 16 bars
hiphop started off in a block that I’ve never been to
to counter act a struggle that Ive never even been through
if I think I understand just because I flow too
that means I’m not keeping it true, nope
hiphop started off in a block that I’ve never been to
to counter act a struggle that I’ve never even been through
if I think I understand just because I flow too
that means I’m not keeping it true, I’m not keeping it true
now I don’t rap about guns so don’t label me conscious
but I don’t rap about guns cause I wasn’t forced into the conflict
see I was put in the position where I could chose my options
blessed with the privilege that my parent’s could send me to college
now who’s going to shows the kids on the block starving
or the white people with dough that can relate to my content?
marketed the music now adapted to the lifestyle
what happened to jazz and rock and roll is happening right now
where’s my place in the music that’s been taken by the media
with white corperations controlling what their feeding ya
I brought up aesop rock but Im not even dissing dude
we love hiphop and what do you think caucasians are listening to
and I speak freely when I write this
if a black emcee examined race there goes half their fan base, white kids
and this is so true. and we didn’t even have to fight the system
we just went and picked up the microphone too
and we got good at it so we should be rapping
but only supporting them is like burning Jimmy and buying Clapton
now Clapton’s incredible. but no Jimmy no foundation
so here comes history and the cultural appropriation
white kids with do rags trying to practice their accents
from the suburbs to the upperclass mastering a language
but hiphop is not just memorizing words
it’s rooted in authenticity something you literally can’t learn
But I’m gonna be me so please be who you are
this is something that’s effortless and shouldn’t be hard
I said I’m gonna be me so please be who you are
but as I’m blessed with the privilege, they’re still left with the scars
hiphop started off in a block that ive never been to
to counter act a struggle that Ive never even been through
if I think I understand just because I flow too
that means im not keeping it true, nope
hiphop started off in a block that ive never been to
to counter act a struggle that Ive never even been through
if I think I understand just because I flow too
that means im not keeping it true, I’m not keeping it true
One teachers approach to preventing gender bullying in a classroom
Alie arrived at our 1st-grade classroom wearing a sweatshirt with a hood. I asked her to take off her hood, and she refused. I thought she was just being difficult and ignored it. After breakfast we got in line for art, and I noticed that she still had not removed her hood. When we arrived at the art room, I said: “Allie, I’m not playing. It’s time for art. The rule is no hoods or hats in school.”
She looked up with tears in her eyes and I realized there was something wrong. Her classmates went into the art room and we moved to the art storage area so her classmates wouldn’t hear our conversation. I softened my tone and asked her if she’d like to tell me what was wrong.
“My ponytail,” she cried.
“Can I see?” I asked.
She nodded and pulled down her hood. Allie’s braids had come undone overnight and there hadn’t been time to redo them in the morning, so they had to be put back in a ponytail. It was high up on the back of her head like those of many girls in our class, but I could see that to Allie it just felt wrong. With Allie’s permission, I took the elastic out and re-braided her hair so it could hang down.
“How’s that?” I asked.
She smiled. “Good,” she said and skipped off to join her friends in art.
‘Why Do You Look Like a Boy?’
(via sugarbooty)
"If your experience is that your water comes from the tap and that your food comes from the grocery store, then you are going to defend to the death the system that brings those to you because your life depends on them; if your experience is that your water comes from a river and that your food comes from a land base then you will defend those to the death because your life depends on them. So part of the problem is that we have become so dependent upon this system that is killing and exploiting us, it has become almost impossible for us to imagine living outside of it and it’s very difficult physically for us to live outside of it."
Derrick Jensen (via cultureofresistance)
(Source: counterpunch.org, via theoceanandthesky)
Howard Zinn, "A People's History of the United States" (full book)
My viewpoint, in telling the history of the United States, is different: that we must not accept the memory of states as our own. Nations are not communities and never have been, The history of any country, presented as the history of a family, conceals fierce conflicts of interest (sometimes exploding, most often repressed) between conquerors and conquered, masters and slaves, capitalists and workers, dominators and dominated in race and sex. And in such a world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners.
Thus, in that inevitable taking of sides which comes from selection and emphasis in history, I prefer to try to tell the story of the discovery of America from the viewpoint of the Arawaks, of the Constitution from the standpoint of the slaves, of Andrew Jackson as seen by the Cherokees, of the Civil War as seen by the New York Irish, of the Mexican war as seen by the deserting soldiers of Scott’s army, of the rise of industrialism as seen by the young women in the Lowell textile mills, of the Spanish-American war as seen by the Cubans, the conquest of the Philippines as seen by black soldiers on Luzon, the Gilded Age as seen by southern farmers, the First World War as seen by socialists, the Second World War as seen by pacifists, the New Deal as seen by blacks in Harlem, the postwar American empire as seen by peons in Latin America. And so on, to the limited extent that any one person, however he or she strains, can “see” history from the standpoint of others.
My point is not to grieve for the victims and denounce the executioners. Those tears, that anger, cast into the past, deplete our moral energy for the present. And the lines are not always clear. In the long run, the oppressor is also a victim. In the short run (and so far, human history has consisted only of short runs), the victims, themselves desperate and tainted with the culture that oppresses them, turn on other victims.
Still, understanding the complexities, this book will be skeptical of governments and their attempts, through politics and culture, to ensnare ordinary people in a giant web of nationhood pretending to a common interest. I will try not to overlook the cruelties that victims inflict on one another as they are jammed together in the boxcars of the system. I don’t want to romanticize them. But I do remember (in rough paraphrase) a statement I once read: “The cry of the poor is not always just, but if you don’t listen to it, you will never know what justice is.”
Howard Zinn, “Chapter 1: Columbus, the Indians, and Human Progress,” A People’s History of the United States
another non-downloadable link to the book can be found here.
(via somerset)
"People always say, “Be humble, be humble, be humble.” When’s the last time somebody told you, “Be great, be amazing, be awesome?” Be awesome. BE AWESOME."
Kanye West - Watch The Throne Tour, December 12, 2011 - Staples Center (via tookthestars)
(Source: kevintorres, via ginandcigars)
“Magic Dance vs. 99 Problems” - David Bowie vs. Jay-Z
WHAT IS THIS I CAN’T EVEN
All other mash-ups can go home now, we have a winner.
(via mostsmartest)
(via cheapandjuicy)
Knitting Behind Bars
In late 2009, Lynn Zwerling stood in front of 600 male prisoners at the Pre-Release Unit in Jessup, Maryland. “Who wants to knit?” she asked the burly crowd. They looked at her like she was crazy.
Yet almost two years later, Zwerling and her associates have taught more than 100 prisoners to knit, while dozens more are on a waiting list to take her weekly class. “I have guys that have never missed one time in two years,” Zwerling says. “Some reported to us that they miss dinner to come to class.”
Her first thought was to bring knitting to a men’s prison, but she was turned down repeatedly. Wardens assumed the men wouldn’t be interested in a traditionally feminine hobby and worried about freely handing out knitting needles to prisoners who had been convicted of violent crimes. Five years passed before the Pre-Release Unit in Jessup accepted her, and Knitting Behind Bars was born. “I [wanted to teach] them something that I love that I really believe will make them focus and happy,” Zwerling says. “I really believe that it’s more than a craft. This has the ability to transform you.”
Full Story at: good.is
(via theoceanandthesky)
W.E.B. #DuBois classic, The Souls of Black Folks, is available as a free e-book in many formats
(via theoceanandthesky)
"People who have misgendered anyone with trans history often take the defensive position that misgendering is not such a big deal. Often the argument is made that they, personally, would not take such offense if they had been misgendered. First, let me reiterate that gender is something people with no trans experience or history can take for granted. If you have never had to earn the right to be your gender from an unwelcoming physician, or fight for the right to exist as your gender while waiting for the bus or trying to use a public restroom, then you are probably a whole lot less invested in the way that people see you. Second, I have to disagree with the idea that trans people are the only people who are offended by misgendering. In my years in the service industry, I have seen firsthand countless reactions of people exploding in rage when offered an incorrect ma’am or sir. Gender is important to most people’s identity, regardless of trans history, and most find the egregious insult of misgendering pretty darn offensive."
Char C - Why Misgendering is Bad (via iragray)
(via squintyoureyes)
THEY OPENED A COLDSTONE CREAMERY OVER BY THE MALL! HALF OFF QUARTS ALL WEEK!
I’M VEGAN.
IS THAT LIKE … AN ALLERGY?
AN ALLERGY TO CRUELTY, YES.
WHATEVER. SOUNDS TO ME LIKE YOU’RE ALLERGIC TO DELICIOUSNESS. COOOOOOOLDSTOOOOOOONE CREAMERY, BOYYYYYYYYYYY! GET WITH IT!
AZEALIA BANKS - 212 FT. LAZY JAY (by AzealiaBanks)
"You don’t want to start setting up another rule book, like: “This is how you’re a feminist. And this is the way you dress. And this is the way you act. And this is the way you protest.” It’s like, some people protest carrying signs. Some people protest by making activist radical music. Sometimes people try to just make it through a day and not kill themselves, and that’s their activism for right then, because that’s all they have."
Kathleen Hanna (via semierotic-)
(Source: pixiemoon42, via thesoftbloodynose)

